Baudelaire: poète maudit, enfant terrible, lyric genius, crippling perfectionist. Bereft of a father at age five, he spent his days squandering the former's fortune on prostitutes and paintings, opium and alcohol, finery and laundry bills for his impeccably white dandy's collars. He loved a woman and gave her syphilis. This is her story. Muse, mulatto, mistress, mystery... little was known of Jeanne in her day, and even less remembered since. Yslaire pays tribute to a brimstone-and-hellfire affair from the annals of literature, two misunderstood souls who in their mutual misunderstanding afforded each other what little solace they found in life.
"Django: Hand on Fire" tells the story of the youth of Django Reinhardt, a Roma raised outside Paris who would go on to be one of the most influential guitarists of all time. We follow his early years as an aimless and rebellious kid who is heading for a life of trouble until his devoted younger brother Nin-Nin convinces their mother Négros to buy him a banjo. Captivated by its possibilities and spurred by his natural talent, Django becomes obsessed with the instrument and quickly surpasses his older peers, mastering the popular bal-musette and intrigued by the new jazz coming over from the States. Soon he is playing in clubs and winning awards. He is on the verge of international success at the age of 18 when a tragedy strikes that will mark the rest of his life and career: he is badly burned in a caravan fire and spends the next years relearning how to play the guitar with only two fully-functioning fingers. This is an amazing story of perseverance and of fierce family love that is little known even to many jazz aficionados.
Mexico, August 1923. Edward Weston has just abandoned his wife and children and joined his mistress Tina Modotti. Daughter of Italian emigrants, Tina started out on a career as a Hollywood actress before discovering a passion for photography, in Edward's wake. In Mexico, the lovers soon discover that revolution goes hand in hand with artistic expression. The walls of public institutions are colored with the vibrant paintings of Diego Rivera, Xavier Guerrero and all those who would go down in art history as ' the muralists.' In this pivotal period between the old world, still struggling in the aftermath of the First World War, and the new world, yet to be constructed, Tina and Edward become deeply involved in the artistic political movement of the epoch. For Tina, sex, freedom, art and politics become the pillars of her lifestyle, leading her to sometimes make choices that are difficult for Edward to deal with. But passion burns the senses, and suffering kindles the fires of creation...
The political, artistic and sexual effervescence of Mexico in the early 20s is followed by instability and doubt. There seems to be a spreading sense of disillusionment that neither Tina nor her friends will escape. Edward has gone back to the US, and Tina finds herself alone at a pivotal moment in her life. She oscillates between her commitment to the Party, her artistic struggles, her various overlapping love affairs, and her own journey of self-discovery. She seems to be incapable of choosing one path that will close off the others, unlike Edward. The political climate becomes increasingly tense, and opinions and destinies begin to clash. Summer comes to an end, and a long winter approaches.
French comic book artist, Simon Muchat, has reached one of life's dead ends. He drifts through his uneventful day-to-day existence, which has become devoid of color and flavor, and severely lacking in inspiration. He has no plans, no desires, no projects, and is slowly stagnating in his job as a school art teacher. He seems indifferent to his girlfriend's reproaches as she tries to shake him from his torpor. Simon is invited to spend a few days in Portugal for a comic book festival. The invitation strikes a chord with him, as his family is originally from there, and he hasn't been back since his childhood. Perhaps this will at long last lead him out of the maze, and towards a new life of color and feeling and the senses.
This is the story of rebirth, through the rediscovery of a childhood place, shrouded in the haze of memory.
Jean-Paul is a shy, slightly gawky young man leading a rather unremarkable life in which his oppressive mother is all too present. As the anniversary of his father's death approaches, he feels increasingly dissatisfied with his life, and increasingly aware of his loneliness. It's time for things to change. So, without telling anyone, he embarks on a singles cruise and takes his first steps in a brave new world.
1976, Nicaragua. "Tacit" Somoza rules the small Central American country with the support of the ruthless Guardia. The son of a powerful family from the capital, Managua, Gabriel is a young priest with an incredible talent for sacred art. He is sent to enhance his painting skills with Ruben, a priest in San Juan--a little village located at the base of a mountain. Despite his difficulty integrating with the villagers due to his father's reputation, Gabriel slowly gets to know them and, eventually, to love them. Encouraged by Ruben, he paints the villagers. He paints them as they are--men and women of flesh and blood. But Gabriel is soon witness to acts of military repression of the locals. It doesn't take long for him and the villagers to get swept away in these times of growing rebellion and smoldering revolution. Nourished by a sense of divine justice, Gabriel begins to understand the villainy of those in power and their cronies. When he's eventually taken in and treated by the guerillas camped out in the forest, he lies about his family name and swaps his pencils and paint brushes for firearms. As he gazes beyond the surface and deeper into the depths, Gabriel also discovers his own humanity, made of flesh and desires...
This story takes place on a tiny, far-flung island in the middle of the Indian Ocean, whose nearest neighbor is Madagascar, 500 kilometers away... In 1760, the Utile, a ship carrying black slaves from Africa, was shipwrecked here and abandoned by her crew. The surviving slaves had to struggle to stay alive in this desolate land for fifteen years... When this tale got back to France, it became the cornerstone of the battle of Enlightenment to outlaw slavery. More than two hundred years later, the artist Sylvain Savoia accompanied the first archeological mission in search of understanding how these men and women, who had come from the high mountains of Madagascar, had survived alone in the middle of the ocean. This is the story of that mission, through which we're exposed to the extraordinary story of the slaves themselves.
Modern-day Paris. One night, as she's leaving rehearsal, Lola, a young dancer, is approached by Renée. She introduces herself as a writer, and asks Lola if she could share her life for a while in order to gather material to write a book about her. Despite not feeling entirely comfortable with the idea, Lola accepts. The very next day, Lola and Renée experience the strangest day of their lives, involving an absent father who reappears at random points throughout the book, a bashful but psychopathic admirer, Omar Shariff, and a huge spider... All this is set against a backdrop of a general power cut, a highly demanding dance class and a very rainy day. In the world of today, where everything goes too quickly, twenty-four hours is sometimes enough to change your life.
June 1943. Julien Sarlat jumps from the train transporting him to Germany and manages to get back to his small village in the Aveyron, Cambeyrac, where he hides, without the villagers' knowledge, to await the end of the hostilities. In a strange turn of fate, the train that he was on is bombed, and one of the corpses is identified as his. In the eyes of society, he is now dead. Taking advantage of this unexpected situation, he hides away in the attic of his old school teacher, who was arrested by the French Gestapo for suspected communist leanings. From that moment on Julien, from his observatory overlooking the village square, is the spectator of this everyday theater of ordinary people going about their business. Love, hatred, envy, cowardice, passion and heroism: the onlooker sees the most.
Involuntary voyeurFrance, 1944. Julien Sarlat made his escape from military service, and now, through a series of uncanny circumstances, is believed dead. Not many people can say they've attended their own funeral. Julien has. He's now left with no choice but to hide himself away in his home village of Cambeyrac, where only his aunt is aware of his survival. He spends his days gazing down longingly on the life from which he is excluded. That is, until the lovely Cécile, his childhood sweetheart, finds him curled up in her barn...
A former actress and spy, Elizabeth Montagu, is tasked with guiding British author Graham Greene around postwar Vienna, as he conducts research for a screenplay. However, the visit of "G.," a former spy himself, soon proves to be just as mysterious as his best-selling thrillers, winding through Vienna's shadowy underground before leading to a Prague on the cusp of revolution...Available in print from Titan Comics"The characters are well-defined, and the storytelling fluidity of the artwork matches the easy flow and intrigue of the storyline." The Digital Fix
In this documentary comics we meet Belgian journalist Pascale Bourgaux as she travels with a cameraman back to a small village in the north of Afghanistan that she has been visiting regularly for ten years. The village is controlled by the warlord and resistance fighter Mamour Hasan, who fought to expel the Taliban from his land just like the Russians before them. To her great surprise, she finds the people there weary of the Europeans and corrupt Afghan officials and even the warlord's own sons seem ready to welcome the return of the Taliban. This book uses the pacing and observational skills of artists Vincent Zabus and Thomas Campi to give a palpable sense of daily life in this troubled, faraway land as well as a behind-the-scenes glimpse of two seasoned journalists at work.
Is every man killed in combat reborn in the sky in the form of a star? Is seeing a bus in your dreams really a sign of impending death? In 1917, Jan Van Meer, an operative with the Allies' intelligence services and a renowned expert on folklore, travels across Europe in search of an engineer named Hellequin, inventor of the dream cannon and barbed plant-wire now obsessed with reading the ruins of war. Van Meer's mission: not to find Hellequin at all costs. With his trademark wit, original drawing style, and wild animation, David B. takes viewers deep into the torment of the Great War, where beliefs and superstitions inextricably mix with the horror of reality.
In the Depression, times are tough all over for tobacco farmers, and the Cry family is no exception. They may have set out for California to start over, but the baggage of the past never gets left behind. Crippled Billy, filled with inchoate rage from a childhood run-in with a sadistic neighbor, resents having to look after his older brother Milton, a lumbering gentle giant who was born simple. Billy starts venting his revenge fantasies into Milton's innocent ears, causing his brother gruesome nightmares. But when a series of hideous murders occur, Milton's bad dreams seem to be coming true.
Ludwig has never been a soldier. A childhood injury left him lame in one leg, which has allowed him to largely sit out the war on the sidelines, as a translator. Fleeing his passionless marriage, he accepts an assignment in Japan, allowing him to return to the land of his youth. But the year is 1945. It is not a good time to be Japanese, or German... much less stationed in Hiroshima. Ludwig is tempted by love and, in furtively tampering with his translations of classified documents, by the chance to do something heroic. But none of that will save him...
The lives of a handful of Parisian characters trying to connect with themselves, their bodies, and each other intertwine in this insightful snapshot of modern society: mothers and daughters, sons and parents, lovers, friends, and neighbors interact and experience each other in ways both simple and profound.
Meet the children: Airbus, with his barely contained rage, Angel, whose sweet looks belie a mercurial cruelty, and Mongol, who talks to insects and stray animals. They spend their days weaving baskets at Save the Innocents, an outreach foundation. They fantasize about the friendly blonde aid worker Anika, are wary of her blandly affable Belgian boss, and mock her short husband Recto, who speaks their language so poorly. Meanwhile, gunfire thunders daily in the hills just outside town. But when their old friend Black Domino resurfaces full of schemes and swagger, will the looming violence find an echo in the children's hearts?
You better watch out. You better not cry. You better not sneeze. Why? Because Santa Claus comes to Joylandia every day! And here, Christmas decorations, trees, and wreaths are mandatory, as is having a clean bill of health. It's a celebration, after all! A party! And everyone has to be happy and healthy... whether they want to or not. Otherwise they'll have the merciless Jolly Fellow brigade to deal with. Prepare for a Christmas tale of nightmare proportions.
Prolific comic book author Pierre Christin, who penned the game-changing classic sci-fi series "Valerian and Laureline," switches to autobiography here to bring us the thoughtful, enlightening tale of two vastly different lands, the American West during the civil rights movement and the counter-culture phenomenon, and the Eastern Bloc during the Cold War, as seen through the eyes of an inquisitive French artist and journalist with a love for travel, intellectual query, gypsies, and jazz. Christin and his faithful road companion and "Valerian" co-creator Jean-Claude Mézières drive across landscapes ranging from Utah to Bulgaria in a series of cars each more dilapidated than the next, encountering people and adventures of all kinds in a story that is part travel journal, part geo-political documentary, and part artistic coming-of-age.
The Cry family left Carolina for a new start, but their hard times only continue as they press on westward. From sudden storms to auto accidents, misfortune and misadventure seem to dog their every step. Meanwhile, the trail of bludgeoned bodies behind them only grows. But who's to blame: gentle giant Milton, tormented by grisly nightmares, or his older brother Billy, whose resentment festers with every new person he meets? The pressure intensifies when two federal agents Washington to investigate. This painterly period piece and finely wrought family drama comes to a poetic conclusion.
When a young girl is captured in the forest and brought to the city, only to escape shortly afterwards, all manner of individuals and organizations try to get their hands on her, no matter the cost. In a chilling and clever tour de force, the authors use the backdrop of the 1910 Great Flood of Paris to depict a world where animals rule and humans are viewed as curiosities, scientific guinea pigs, hunting trophies, and the occasional snack. A political satire that forces us to question our treatment of different species, the nature of intelligence, and more.
Anton "Witko" Witkowski didn't pull himself by his bootstraps. He punched his way up out of the projects where he was born, to world renown as middleweight champion. He's larger-than-life, a force of nature. He gets what he wants. He taunts his opponents. He breaks up with women by leaving them a red Corvette. It's his way or the highway. With violent colors, dynamic linework, and unflagging narrative drive, Baru delivers a masterful meditation on pride, loyalty, and manhood in a world where the system's stacked against some people, and all they have is their friends-and their rage.
This is the true story of William Alexander Morgan, the Yankee Comandante, an idealistic young American who found fame fighting in the Cuban Revolution. The blond American didn't speak a word of Spanish, but he felt his rightful place was among the guerilleros of the Escambray Mountains, fighting to bring down dictator Fulgencio Batista. Morgan was among Havana's liberators in 1959, an act that led FBI director Edgar Hoover to strip him of his American citizenship. There was a time when Morgan was international front-page news, on a level with Che Guevara. Yet "el comandante yanqui" has largely disappeared from the history of the Cuban Revolution. Author Gani Jakupi recounts a forgotten tale from one of the greatest military and political events of the 20th century.